Bartle Kleber – An Artist’s Pilgrimage

Exhibition and Book Design: Stefan Gaßner
Client: Cultural initiative – Bartle Kleber
Dr. Lang, Mag. Guntram Drexel, Martin Rhomberg, Dr. Rudolf Sagmeister and Klaus Lang

Exhibition and catalog curated by
Rudolf und and Kathleen Sagmeister

Publication on the occasion of the exhibitions
Bartle Kleber – Jerusalem 1904
An Artist’s Pilgrimage

23. 9. – 20. 12. 2018
Austrian Hospice of the Holy Family
Via Dolorosa 37, Jerusalem

14. 2. – 2. 6. 2019
Angelika Kauffmann Museum
Schwarzenberg, Austria

The exhibition “Bartle Kleber – Jerusalem 1904” was on view at the Austrian Pilgrim Hospice from 23rd September to 15th December 2018 thanks to cooperation with the Austrian Cultural Forum Tel Aviv. A year later, with the addition of artists Johannes Fink and Luka Jana Berchtold, it was shown at the Angelika Kauffmann Museum in Schwarzenberg.

Bartle Kleber (* 8 July 1884 in Andelsbuch, † 11 September 1953 in Innsbruck) was an Austrian painter and graphic artist. From 1903 to 1904 he undertook an adventurous educational journey through Italy, Greece, Egypt, and the Middle East, walking most of the way.

The idea for an exhibition around the young painter Bartle Kleber in Jerusalem originates from a study trip by some Vorarlberg friends in 2015. A conversation with Rector MMag. Markus Stephan Bugnyar and Dr. med. Alois Lang at the Österreichisches Hospiz zur Heiligen Familie (Austrian Hospice of the Holy Family) in Jerusalem provided an opportunity to talk about the young painter Bartle Kleber from the Bregenzerwald, who in 1904 also went on a study trip to the Holy Land, that included an extended stay at the Austrian hospice. An examination, on site, of the hospice’s guest-books, on the same night, provided evidence of his visit. This conversation yielded the initial spark for the exhibition, which will now go on display in Jerusalem and at the Angelika Kauffmann Museum in Schwarzenberg. In addition to Dr. Lang, from 2017 onwards, Mag. Guntram Drexel, Martin Rhomberg, Dr. Rudolf Sagmeister as curator, and Klaus Lang for the Angelika Kauffmann Museum in Schwarzenberg also became involved in its development. Discussions within the working group, which was expanded to include graphic designer Stefan Gassner as well as the painter’s son Dir. i. R. OSR Peter Kleber, established the cornerstones of the exhibition concept.

Exhibition views Angelika Kauffmann Museum, Austria, 2018
Bartle Kleber – Jerusalem 1904, An artist’s pilgrimage
Johannes Fink and Luka Jana Berchtold, Jerusalem 2018

Luka Jana Berchtold
Jerusalem 2018
Hoffnungseisen (Iron of hope), 2018 – 2019
Concrete, iron oxide, reinforcing steel
220 x 20 x 20 cm
Photos © Johannes Fink

Johannes Fink
Jerusalem 2018
Photos © Johannes Fink

The title of the work “Hoffnungseisen” refers to the tradition of leaving steel struts on the upper floor unfinished to enable future generations to extend the building. “Hoffnungseisen” is made up of four columns. The columns look like parts of an unfinished building site.

Sophie Lingg, 2018

“… and yet it is as if you are immersed in a bygone era as soon as you enter the Old City of Jerusalem through the Damascus Gate. “

Johannes Fink, Jerusalem 2018

Jerusalem, 1904
Armenian District with a View to the
Tiferet Yisrael Synagogue and Hurva Synagogue
Pencil, 14 x 20 cm, vm

Bartle Kleber’s entry in his diary:
16th of February 1904

“Müller’s shoes no longer work, so he takes mine and I walk barefoot. If you’re not used to walking barefoot, you won’t get far, your feet will be open after a few kilometres. I don’t mind, I’m still used to it from the Alps.”

 

 

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